Galerie Toyen<\/strong>:<\/p>\n\n\n\nPuncte de interes: <\/strong>Replici computerizate ale celor mai faimoase picturi ale lui Toyen, precum \u0219i piese interactive care ajut\u0103 privitorii s\u0103 \u00een\u021beleag\u0103 procesul s\u0103u creativ.<\/p>\n\n\n\nManuscrise \u0219i caiete de schi\u021be originale<\/h3>\n\n\n\n
Puncte de interes: <\/strong>Vizitatorii pot studia un carte toyen,<\/strong> schi\u021be adnotate, note personale \u0219i schi\u021be ale principalelor sale lucr\u0103ri, toate acestea fiind esen\u021biale pentru \u00een\u021belegerea demersului s\u0103u artistic.<\/p>\n\n\n\nExperien\u021b\u0103 de realitate virtual\u0103<\/h3>\n\n\n\n
Puncte de interes:<\/strong> Aceast\u0103 experien\u021b\u0103 de realitate virtual\u0103 permite vizitatorilor s\u0103 exploreze peisajele \u0219i figurile din Picturile lui Toyen<\/strong> ca \u0219i cum ar intra ei \u00een\u0219i\u0219i \u00een scene, sporindu-le aprecierea pentru bog\u0103\u021bia \u0219i complexitatea operei sale.<\/p>\n\n\n\nFilme documentare \u0219i interviuri.<\/h3>\n\n\n\n
Puncte de interes: <\/strong>Imagini rare \u0219i interviuri ofer\u0103 o privire intim\u0103 asupra personalit\u0103\u021bii lui Toyen, a abord\u0103rii filosofice a artei \u0219i a influen\u021bei sale asupra mi\u0219c\u0103rii suprarealiste.<\/p>\n\n\n\nColec\u021bii speciale \u0219i arhive<\/h3>\n\n\n\n
Puncte de interes: <\/strong>Aceste colec\u021bii sunt o min\u0103 de aur pentru cercet\u0103tori \u0219i fani, oferind o documenta\u021bie detaliat\u0103 a dezvolt\u0103rii artistice \u0219i personale a lui Toyen.<\/p>\n\n\n\nCele mai scumpe tablouri ale lui Toyen: O privire asupra recordurilor din licita\u021bii<\/h2>\n\n\n\n
Picturile lui Toyen, cu simbolismul lor profund \u0219i natura lor suprarealist\u0103, continu\u0103 s\u0103 \u00eenc\u00e2nte at\u00e2t colec\u021bionarii, c\u00e2t \u0219i fanii artei. Cea mai scump\u0103 pictur\u0103 Toyen este <\/strong> La Dame de Pique. Alte piese v\u00e2ndute la licita\u021bie sunt:<\/p>\n\n\n\n1. La Dame de Pique<\/strong><\/p>\n\n\n\nPre\u021b:<\/strong> 78,65 milioane CZK <\/p>\n\n\n\n2. Circ<\/strong><\/p>\n\n\n\nPre\u021b:<\/strong> 79,56 milioane CZK<\/p>\n\n\n\n3. Vidul, t\u0103cerea din 1940<\/strong><\/p>\n\n\n\nPre\u021b: <\/strong>18,48 milioane CZK<\/p>\n\n\n\n4. Apoi, mai t\u00e2rziu <\/strong><\/p>\n\n\n\nPre\u021b: <\/strong>37,44 milioane CZK<\/p>\n\n\n\nAl\u021bi pictori suprareali\u0219ti cehi celebri<\/h2>\n\n\n\n
Impactul suprarealismului ceh asupra marii mi\u0219c\u0103ri suprarealiste a fost considerabil, mul\u021bi pictori aduc\u00e2nd contribu\u021bii unice la mo\u0219tenirea sa. \u00cen continuare sunt prezentate c\u00e2teva alte lucr\u0103ri renumite Pictori cehi suprareali\u0219ti<\/strong> ale c\u0103rui lucr\u0103ri sunt recunoscute at\u00e2t \u00een Republica Ceh\u0103, c\u00e2t \u0219i la nivel interna\u021bional:<\/p>\n\n\n\n\n- Jan \u0160vankmajer<\/li>\n\n\n\n
- Lubo Kristek<\/li>\n\n\n\n
- Eva \u0160vankmajerov\u00e1<\/li>\n\n\n\n
- Jind\u0159ich Heisler<\/li>\n\n\n\n
- Franti\u0161ek Janou\u0161ek<\/li>\n\n\n\n
- Alois Wachsman<\/li>\n\n\n\n
- Anna Chromy<\/li>\n\n\n\n
- Oto Macek<\/li>\n\n\n\n
- Josef \u0160\u00edma<\/li>\n\n\n\n
- Franti\u0161ek Vobeck\u00fd<\/li>\n\n\n\n
- Jind\u0159ich \u0160tyrsk\u00fd<\/li>\n<\/ul>\n\n\n\n
<\/div>","protected":false},"excerpt":{"rendered":"Pu\u021bini arti\u0219ti din pictura suprarealist\u0103 pot egala misterul \u0219i farmecul tablourilor lui Toyen! Marie \u010cerm\u00ednov\u00e1, mai cunoscut\u0103...","protected":false},"author":19,"featured_media":13598,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15,204,39,43,14],"tags":[49],"table_tags":[],"_links":{"self":[{"href":"https:\/\/prague.org\/ro\/wp-json\/wp\/v2\/posts\/13597"}],"collection":[{"href":"https:\/\/prague.org\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/prague.org\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/prague.org\/ro\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/prague.org\/ro\/wp-json\/wp\/v2\/comments?post=13597"}],"version-history":[{"count":2,"href":"https:\/\/prague.org\/ro\/wp-json\/wp\/v2\/posts\/13597\/revisions"}],"predecessor-version":[{"id":13637,"href":"https:\/\/prague.org\/ro\/wp-json\/wp\/v2\/posts\/13597\/revisions\/13637"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/prague.org\/ro\/wp-json\/wp\/v2\/media\/13598"}],"wp:attachment":[{"href":"https:\/\/prague.org\/ro\/wp-json\/wp\/v2\/media?parent=13597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/prague.org\/ro\/wp-json\/wp\/v2\/categories?post=13597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/prague.org\/ro\/wp-json\/wp\/v2\/tags?post=13597"},{"taxonomy":"table_tags","embeddable":true,"href":"https:\/\/prague.org\/ro\/wp-json\/wp\/v2\/table_tags?post=13597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}